Mary Louise has worked in New York, Europe, and in the American regional theatre. She is currently Head of Lighting in the Department of Design for Stage and Film at New York University’s Tisch School of the Arts.

New York: OSLO ELSEWHERE Festival (59E59); THE BUSY WORLD IS HUSHED (Playwrights Horizons); JUMP/CUT (Women’s Project); RED BEADS (Mabou Mines – Skirball Center for the Performing Arts); THE CONSTANT WIFE (American Airlines Theatre); OEDIPUS AT PLAM SPRINGS (New York Theatre Workshop); AFTERBIRTH: KATHY AND MO’S GREATEST HITS (Second Stage); THE TRIANGLE FACTORY FIRE PROJECT (TACT); MABOU MINES’ DOLLHOUSE (St. Ann’s); ARCHITECTURE OF LOSS (New York Theatre Workshop); EIGHT DAYS BACKWARDS (Vineyard Theatre); THE MYSTERY OF ATTRACTION (Worth St. Theatre); JULIA SWEENEY IN THE FMILY WAY (Ars Nova Theatre); JODI OBERFELDER DANCE (Clark Theatre, Lincoln Center); TWO LITTLE INDIANS (Here Theatre); TONGUE OF A BIRD (New York Shakespeare Festival; A DOLL HOUSE (NYTW workshop), THE BACCHAE: TORN TO PIECES (LaMaMa Etc), LONG ISLAND SOUND (The Actor’s Company Theatre)

Europe/Touring: MABOU MINES’ DOLLHOUSE (Brisbane Festival, Australia, Chicago, IL, Minneapolis, MN, Columbus, OH, New England, USA, Festival D’Autumne, Paris, France; Stuttgart Festival, Germany; Ibsen Festival, Oslo, Norway)

Regional Theatre: ACT Theatre, Alley Theatre, Actor’s Theatre of Louisville, Asolo Theatre, Berkeley Repertory Theatre, GeVa Theatre, Indiana Repertory Theatre, Intiman Theatre, Seattle Repertory Theatre, Portland Center Stage, Portland Stage Company, Virginia Stage Company, Repertory Theatre of St. Louis, Mark Taper Forum, Pioneer Theatre, Playmakers Repertory Company, LA Opera, Philadelphia Orchestra

Training: Yale School of Drama
Faculty: NYU Tisch School of the Arts

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